1873/4
Western Trip
with Paul Frénzeny

Woodcuts from the Western sketching trip for Harper's Weekly are documented separately in Part 2, the Western Trip Catalog

pub: G v17-19 1873-75

The Harper's Weekly pictures were all pencil/pen sketches. Some of them may exist as separate signed or unsigned works of art. If anyone has one we would love to hear about it.

1873
watercolor/paper

Clearwater, Kansas

[Watercolor has image similar (but mirrored) to woodcut published in Harper's Weekly v18, 2 May 1874, pp.386,387]

unknown location

pub: B; ref.

ed. Athol Furman Reusser. Clearwater Alive in 85: Kansas 1885-1985 In the Valley of the Ninnescah. p.25 b+w ill. and ref to:

Miller, Nyle H., Edgar Langsdorf and Robert Richmond. Kansas, A Pictorial History. Kansas Centennial Commission; Topeka, 1961                         

Earliest photo of original.

6 October 1873
pencil sketch with ink wash/paper
?×?

[Just for fun: a modern colorized version of this picture is available.]

Main Street from Eagle Block, Wichita.

First referred to by Robert Taft in his article about Frenzeny and Tavernier in the Kansas State Historical Society Quarterly Feb 1946, reprinted as ref J in 1953. He refers to this item as "an original pencil sketch" in the Wichita Public Museum with the date in the upper left corner.

The problem is obvious from the picture that the date is lower left not upper left. This can be explained by V2 of the picture. In which the bottom notation has been truncated and the date moved to the upper left by another hand. If this were to have been done to the original, which is highly probable, then Robert Taft saw this modified version of the picture.

'The Wichita Public Museum' probably refers to the Wichita-Sedgwick County Historical Museum under a previous name. It is believed by Bob Puckett, director, that they once owned the pencil sketch referred to in last paragraph on p. 102, but was loaned for the publication "Wichita Century: a pictorial history of Wichita, Kansas, 1870-1970," by R.M. "Dick" Long (p. 37), and not returned. They (Wichita-Sedgwick Co. Historical Museum) have a copy (photoreproduction) made before the loan. [Information from Lois Crane, Wichita Art Museum librarian.]

In reality the Wichita-Sedgwick County Museum has four photographs related to this image. This picture on the left is derived from the third of the four, because it appeared the most compete, and was the earliest and cleanest as well. V1 is heavily trimmed, but appears to be a photo of the same original. V2 and V3 are independent photos of the same source; V4 is a photo of a printed copy. V1 has the typed notation: "from the collection of John P. Davidson". [Information from Jami Frazier Tracy, registrar, Wichita-Sedgwick County Museum]

Photos courtesy of the Wichita-Sedgwick County Museum, who were most helpful by scanning and sending all four images for this catalog.

lost, probably destroyed

titled, dated LL: Maine Street from Eagle Bloc, October 6, 1873
signed LR: Jules Tavernier

pub: ref J p.193 says it is in the Wichita Public Museum.

provenance: see comments to the left.

4 August 1873
watercolor/paper
15×23 cm

Forest and 1st Ave:
Parsons, Kansas

Kansas State Historical Society, Topeka, Kansas
(1981-146)

signed LL: Jules Tavernier
Dated Title LR

Provenance:
1954 Purchased from the Society of California Pioneers.

1873
watercolor and gauche/paper
18×23 cm

•Study for Busted!

•Deserted Kansas Town

This date assumes that the sketch was contemporaneous with Tavernier's visit to Kansas.

[Watercolor has image similar to woodcut published in Harper's Weekly v18; 28 February 1874; p. 192]

Kansas State Historical Society, Topeka, Kansas (1981-144)

signed LL: Jules Tavernier

undated.

Provenance:
1954 Purchased from the Society of California Pioneers.

n.d.
watercolor/paper
11×19 cm

Barn Yard

attributed to Jules Tavernier

Kansas State Historical Society, Topeka, Kansas (1981-143)

unsigned, undated.

Provenance:
1954 Purchased from the Society of California Pioneers.

n.d.
watercolor/paper
16×20 cm

Cattle Shed

by C.B. Turrell after Tavernier

[Image of a barn-like structure with a fenced doorway.]

Kansas State Historical Society, Topeka, Kansas (1981-141)

Provenance:
1954 Purchased from the Society of California Pioneers.

1873/74
brown ink wash/paper
26×21 cm

Las Airumas

attributed to Tavernier

Titled LR: "Interium ?iew? /
Al? shigsian? Chinois (Chinese)
"Titled LL: Las Airumas

date: assuming it was contemporaneous with his visit.

Kansas State Historical Society, Topeka, Kansas
(1981-145)

undated. unsigned

Provenance:
1954 Purchased from the Society of California Pioneers.

Habitations, Mexicaines,
Las Airumas, Colorado

1874
watercolor/paper
15×23 in

with Frénzeny:

Denver from the Highlands

c1874
pastel+charcoal/paper
36×24 in

Portrait of Red Cloud

This date assumes that the sketch was contemporaneous with Tavernier's visit to Nebraska.

Augusta College
Center for Western Studies, Souix Falls, SD

Signed LL not dated.

Provenance:
2001: Donated to Augusta College
19xx: Private Collection Minneapolis, MN
19xx: Shiller Museum, Northfield
1948: Purchased by Earl De Laittre Minneapolis, MN
19xx: Shilling Spice Co.

11 June [1874]
pencil sketch on paper
12×18 cm

Toute pour la cuisine,
Red Cloud Agency, Nebraska

This date assumes that the sketch was contemporaneous with Tavernier's visit to Nebraska.

Kansas State Historical Society, Topeka, Kansas (1981-142)

unsigned
dated: 11 June

Provenance:
1954 Purchased from the Society of California Pioneers.

Part 3 of the Catalog of Tavernier Illustrations and Art

Anyone who has more information please contact the museum using:

Publication information associated with a picture's location gives a letter code representing the location in the Bibliography located at the beginning of the catalog. Periodical publications, in general, are cited directly.

The pictures and woodcuts below are listed in approximate chronological order.

First San Francisco Period

after 1874
oil/canvas
30×20 cm

Portrait of
a Young Woman

after 1874
oil/canvas
51×91 cm

California Seascape with Sailboats

location unknown

signed

auction: Butterfields 6/1999

n.d.
oil/canvas
54×28 cm

Awaiting Montezuma

[date, Monterey Museum reports: c1872, which is too early. Must be c1874 or later.]

[In 1875 Harpers published a wood cut of this painting. See the Frénzeny/Tavernier trip gallery. There is another oil on this same topic, see c1879]

Monterey Museum

On loan: Betty Hoag McGlynn and Thomas A. L. McGlynn collection

Cobweb Saloon

1874
"jinks" cartoon

The Minisongs of Germany

location unknown, although the original is probably still in the Bohemian Club in San Francisco.

pub: F, v1, p66

about 1874
oil on wood

Interior of
Collins Trading Post,
Fort Laramie

[painted on the lid of a cigar box]

about 1875
oil/canvas
36×61 cm

Carmel Mission

[Brigitta Hjalmarson gives the date of 1873 for this painting, which is much too early: 1874 or 1875 much more likely.]

1875
oil

In Wildwood Glen — Sausalito California

1875
"jinks" cartoon

Robert Burns

[It shows a horse rider going over a vine over bridge in the forest.]

location unknown, although the original is probably still in the Bohemian Club in San Francisco.

Pub F, v1, p77

1875
"jinks" cartoon

Music

[Apologies for the quality of this image which is a scan of a zerox of Pub F, but something is better than nothing -- ed.]

location unknown, although the original is probably still in the Bohemian Club in San Francisco.

Pub F, v1, p102

Monterey Period

1874

White Crane

Location Unknown

ref. Monterey Herald 11 Nov 1874 p.2 [K. p.102]

n.d.
oil/canvas
61×86 cm

Indian Village at Dawn

[date: c1874]

Thomas A. Gilcrease Institute of American History and Art
Tulsa, OK, US
( 0136.1222)

signed LR: Jules Tavernier

pub: Paul A. Rossi and David C. Hunt; The Art of the Old West; 1971, Knopf; p.57

provenance: Gilcrease Foundation purchase from M. Knoedler & Co. Inc., New York City, July 14, 1950

n.d.
oil/canvas
46×79 cm

Indian Encampment at Sunset

[date: c1874]

unknown location

signed

auction: Sotheby's NY, 5/1989

after 1874
oil/canvas
53×89 cm

Sioux Camp in Winter

unknown location

signed: ?

pub: magazine, 1991

1875
oil on 2 panels of winsor & newton prepared millboard
24 x 69 cm.

Cypress Point, Monterey, California

Verso: beige paper label with black printing on each panel center "Prepared Millboard" with insignia with (L-R) lions, crow, unicorn, "Winsor & Newton Artists' Colourmen To Her Majesty and to T.R.H. The Prince and Princess of Wales, 38 Rathbone Place, W. and North London Colour Works, Kentish Town, N.W.". Annotated on label left in pencil upper right "18 (encircled) L". Annotated label right in dark pencil top under heading "Painted by Jules Tavernier 1875", in light pencil upper right side "18 (Encircled) R", lower edge in dark pencil "I am witness E. Rufus Hill."—from an appraisers report on the item.

Harrison Memorial Library
Carmel-by-the-Sea, CA, US

titled and signed LL: Cypress Point Montere Cal J. Tavernier

provenance: given to the libary prior to 1937 by Augustin S. MacDonald

1875
large oil

• A Scene in the Cypress Grove
• Cypress Grove in Monterey—One Hundred Years Ago

[The picture depicts a wandering tribe of Indians encamped in an open grassy glade and are engaged in one the their wild, fantastic dances. Over them the sunshine streams, in comparison to the dim, subdued light under the hoary old Cypress trees under which are standing two Franciscan friars.]—Monterey Weekly Herald 8 Jan 1876 p.3

Location Unknown

provenance: sold to Dr. Stillman of SF. —Monterey Argus 30 May 1876 [K. p.29]

ref: SF Chronicle 8 Jan 1876 p.30 [K. p.27]

Monterey Herald 1 Jan 1876 p.3 quoting SF Alta California [K. p28]

1875

In the Woods

Location Unknown

provenance: owned by J.C. Duncan [K. p.103]

1875

Storm — Cypress Point, Monterey County

Location Unknown

provenance: owned by Senator Stanford. [K. p.103]

n.d.
oil/canvas
51×91cm 

Nocturnal Landscape
—Monterey

[about 1875?]

unknown location
private collection

1874/5

Scene Near Monterey

Location Unknown

ref. San Francisco Evening Bulletin 8 May 1875 [K p.103]

1874/5

Cypress Point

[This may be Harrison Memorial Library picture shown with a similar name above.]

Location Unknown

ref SF Newsletter 1 Nov 1876 p.12
SF Chronicle 3 Jun 1975 p.3
[K p.112/3]

1875/6

Point Cypress Sunset

[This may also be Harrison Memorial Library picture shown with a similar name above.]

Location Unknown

ref. Salinas Monterey City Index 20 July 1876 [K p.103]

1875/6

Washerwoman's Canyon

Location Unknown

ref. Salinas Monterey City Weekly Index 5 October 1876 [K. p.103]

1876

Sunset View on the Toro Ranch

Location Unknown

ref Salinas Democrat 9 Sep 1876 p.3 [K p.113]

provenance: 1877 purchased by Dr. Crespin of Hollister

1876

Interior of Tital Cavern on Point Lobos Beach

[Tavernier planned to send this painting to the Paris Exposition of 1878.]

Location Unknown

ref SF Newsletter 9 Dec 1876 p.23 [K p.114]

1876

La Source

[Depicts the standstone pillars near the headwaters of the Carmel River at Tassajara Springs.]

Destroyed in a Fire as Edward Bosqui's home in Ross California, 1897.

Displayed in Mechanics' Institute Show in SF in 1876. [K p115]

1877/8
wood cut after sketch

Old Carmel Mission
on San Carlos Day

1875
oil/canvas
46×74 cm

Old Carmel Mission
on San Carlos Day

[Tavernier attended the San Carlos Day celebrations in November of 1877 so the date is slightly odd, although an earlier undocumented visit is possible.] Monterey Herald 12 Feb 1878 p.3.

William A. Karges Fine Art
Los Angeles, CA, US and Carmel, CA, US

signed LL: JULES TAVERNIER 1875

1875
oil/canvas
62×28 cm

Cañada Honda, Monterey
(Deep Mountain Valley)

[A vivid painting of a forest wagon road with a single man walking along. In the distance, the hills and bay are seen. In the foreground in very dark tones the general forest to the right ringing the road and a larger silhouetted fir tree is displayed on the left. The sky is a dramatic pink to pale blue, highlighting to tree detail.]

Monterey Museum

Signature and date LR

On loan: Betty Hoag McGlynn and Thomas A. L. McGlynn collection

pub. Monterey Herald 11 Nov 1875 [K. p.103]

1875
charcoal/paper
22×29 cm

Pacific Grove Cottage

[A pleasant sketch of a 2 story, wood sided home with a picket fence, sidewalk and tree.]

Monterey Museum

Signature and date LR

1876

Interior View of Carmel Mission

[Hoag equates this with Carmel Mission on San Carlos Bay [sic] but that picture is so far from an interior view it seems unlikely they are the same.]

location unknown

ref [K p.106]

1876
oil/paper
14×32 cm

El Cuartel

[This appears like oils used like watercolors and shows a small town street with a few indistinct people, one on horseback (possibly old Monterey).]

Monterey Museum

1876

Cypress Point Near Monterey

Location Unknown

ref. Monterey Californian 18 Feb 1877 [K. p.104]

1876
oil

Artist's Reverie

Private Collection

provenance: 1970s Carmel Museum of Art (but owned by Mrs. Anthony White, Hillsborough, CA, US)

1980s sold to Dr. Oscar Lemer DDS of S.F.

pub: ref B, [ref K p.115-7],

1876
oil on canvas
24½" x 11½"

Rocky Mountains

Description: The painting is a landscape with narrative overtones. Through a rugged mountain setting two mule-drawn covered wagons are seen at mid-distance proceeding toward the viewer; they are approaching in the more immediate foreground a log bridge which has quite obviously tumbled and broken - hence the narrative drama. The overall lighting of the scene tends to be dark as the artist seems to have been equally fascinated with atmospheric effests - fog in the valley behind the wagons and a sun, blocked by a carefully placed patch of cloud so that an irregular rim of direct illumination is suggested. The artist's oil technique is moderate and painterly, neither thin nor heavily applied.

[Information from Susan Conolly, registrar, Taylor Museum]

Taylor Museum
Colorado Springs
Fine Arts Center
(FA 1979.5)

Signed and Dated LL:
Jules Tavernier 1876

Provenance: The Colorado Springs Fine Arts Center purchased the painting from the Rosenstock Gallery of Western Art in Denver in 1979; according to the file, for most of its history the work belonged to the famous Tabor family of Denver.
The painting conserved in 2003. The painting was removed from its frame, grime and some varnish were removed, losses and abrasions were inpainted and a very slight final varnish was applied. A protective backing was put on the work and the frame was cleaned.

1876
oil/canvas
127×61 cm

• Disputed Passage
• Disputed Passage in the Days of '46

Thomas Gilcrease Institute of American History and Art
Tulsa, OK, US
( 0136.1223)

signature: L.R. Jules Tavernier
Monterey, Cal
1876

provenance: Gift from J. S. Bottler, Jr., March 25, 1960

Jan 1876 bought by Tiburcio Parrott from Tavernier.

1876
oil/canvas
large picture

Pillar Rocks on the Toro Ranch near Monterey

[The picture depicts a green pool between columned precipices which were turning crimson for the blaze of a sunset.]

location unknown

ref: Salinas Monterey Democrat 9 Sept 1876 p.3

1876
"jinks" cartoon

Irish Wit and Humor

[It shows an Irishman in his night shirt in front of a day bed with a papal hat and staff confronting a large serpent with a harp and pig in the background; also a table with a meal and a bottle of beer or spirits.]

location unknown

Pub F, v1, p147

1876

Au Revior

[Picture shows a young Spanish girl peering through a gate though which someone has just departed.]

location unknown

ref Salinas Weekly Index 14 Dec 1876 p.3 [K p.71]

1876
oil on canvas
28×65 cm

Hunter at Monterey

Bohemian Club
San Francisco, CA, US

Pub F, v8, p 17
color image

1876
oil on canvas
126 x 60 cm

Spring of the Hunter

[Picture shows two dogs standing in the path down which their master is walking.]

Thomas Gilcrease Institute of American History and Art
Tulsa, OK, US
(0136.2054)

signature: L.L.:
Jules Tavernier
Monterey
1876

provenance: Gift to the Museum, from J. S. Bottler, Jr., March 25, 1960

Fall 1876 shown at SF Mechanics' Institue. At that time it was owned by Tiburcio Parrott.

Summer 1876 bought by Tiburcio Parrott from Tavernier.

1876
oil
28 x 62 cm

Village Chinois,
Monterey, CA

[Picture depicts weathered shacks clustered around an inlet of Monterey Bay. Shell middens litter the shore, where two figures are working on a little boat.]

[See Chinatown and Fisheries from the Argonaut October 1878 below.]

Dr.Carl Schaefer Dentzel
Northridge, CA, US

signed, dated

ref [K p.83]

1876/8
oil

Pomo Maru Cult Dance

1877
oil

Rocky Cove on the Monterey Coast

Location Unknown

ref. SF Chronicle 3 June 1877.

1877
oil

Coast View Near Monterey

Location Unknown

ref Monterey Californian 20 Apr 1879 p.6

1877
oil

Twilight Wooded Scene at Point Cypress

Location Unknown

ref Monterey Californian 8 Jan 1878 p.2

1877
oil/canvas
79×122 cm

The Pioneer

[note: The Aldine, New York, cover picture August 1873 — Day after Day, Night after Night, Good Dog]

Society of California Pioneers, San Francisco

Exhibited in: Gold Fever! at the Oakland Museum; 1998/99

ref Argonaut 24 Nov 1877

provenance:
1876 sold for $1,000 to Mr. Conking, a SF Stock broker, before it was completed.

c187x
oil/canvas
76×46 cm

Camping in the Redwoods

about 1877
oil/canvas
51×91 cm

Mountain Landscape

unknown location

signed

auction: Southeby's NY; 3/1994

n.d
pastel/canvas
76×50 cm

In the Redwood Forest

[date: c1877]

Maxwell Galleries
San Francisco, CA, US

Live Oak near Monterey

[There may be a derivitive drawing in the Argonaut]

location unknown

ref [K.105]

n.d.
oil/canvas
43×79 cm

• Graves' Slough
• Campers at Pebble Beach
• Moonlight Grasses, Graves' Slough, Lake Country

[date: Monterey Museum gives date of c1873, however c1877 seems much more likely. Even Betty Hoag McGlynn gives that date for this picture in her USC MA Thesis. In the thesis she says it is a honeymoon picture of the artist and his bride.]

Monterey Museum of Art

not signed nor dated.

On loan: Betty Hoag McGlynn and Thomas A. L. McGlynn collection

ref [K p.105]

1877
oil/?

Hôstellerie des
Trois Barbeaus
(Hotel of the Three Cornflowers)

[Picture shows a Gothic building with a cobblestone street and a flower vendor, a butcher, and a priest and cavalier in conversation.]

San Francisco Museum of Art
(on loan to California Historical Society
San Francisco, CA, US)

Displayed in the SF Mechanics' Fair 1877 and won "Best Historical Painting"

provenance: Purchased by F.M. Pixley, co-publisher of the Argonaut.

1877

Moorish Interior

[Shows the Harem of a Turkish potentate]

[This picture was probably purchased by Mrs. Mark Hopkins along with several others for the Mark Hopkins estate on Nob Hill in 1879.]

Destroyed in 1906 SF Earthquake and Fire

signed and post dated: 1879

ref. Salinas Democrat 22 Sept 1877 p.3 [K p.108]

1877/8

Siesta Near Monterey

location unknown

Provenance: owned by Benjamin Avary in 1906

1877/8

A Street Scene in Monterey

[This may be the origin of the Alvarado Avenue picture in the Argonaut shown below.]

location unknown

ref: SF Chronicle 18 Aug 1878 [K p.106]

Shown several times in SF and in NY.

1877
oil/canvas
64×30 cm

Night, Snow, Indian Encampment

Earl C Adams
San Marino, CA

pub: The West Remembered
catalog for a show of Earl C. Adams Collection, 1973, San Francisco and Santa Barbara.

1878
oil/canvas

• Burial on the Planes
• The Lone Grave on the Lone Prairies

“In the awful light of dawn, an emigrant family have just buried one of their heart's darlings and are full loth to leave the grave...” — Argonaut

Location Unknown

ref. The Argonaut 6 Mar 1880 p.9 [K p.125]

1878
oil/wood
71×121 cm

• Attack by Indians near Chimney Rock
• The Ambush
• The Emigrant Trail
• Laying in Wait

[The Bohemian Club lists the date for this picture at 1873. This is really an unlikely date; Ewing and Betty Hoag McGlynn use 1878, which is what is used here.]

Bohemian Club
San Francisco, CA, US

pub: ref F, v5, p147

color image F v8 p17

ref K p.126

provenance:
1886 given to the Bohemian Club.
1879 purchased by Mrs. A. S. Hallidie, wife of SF cable car owner and builder.

The Broken Bridge

[Similar to Ambush, above, but was an upright and contained some foreground trees and a broken bridge.]

Location Unknown

displayed in SD Art Association Show of 1878

ref SF Chronicle 18 Aug 1878 [K p.126/7]

provenance:

1879 Sold for $2,000

1878
oil/canvas

• Gathering for the Sun Dance

1878
oil/canvas

• Crow Butte
• Red Cloud's Camp, Wyoming Territory

1879 ... unfinished
oil/canvas
104×175 cm

• Sioux Encampment
• The Medicine Man
• The Meeting Between Spotted Calf and Yellow Cloud

[ This scene depicts the Teton-Dakota Sioux gathering for the Sun Dance with Crow Butte in the background. Crow Butte is a large flat topped hill which can be seen south of HY 20 in Northwest Nebraska between the towns of Chadron and Crawford. It would be straight east of Fort Robinson where the Red Cloud agency was located.]

[ Some of the detail in the foreground was not painted.]

Oakland Museum of California
(A65.16.4)

Not signed nor dated.

provenance:
-Dec 1884 collateral for a loan of $1,000 from Charles Mayne
-pre 1900 Mayne gave Edwin J. Pringle, SF Judge, the picture.
-1963 sold to Kahn.
-19?? gift of Kahn Foundation to Oakland Museum.
[K p.131-2]

1878
oil on canvas
122×183 cm

• The Indian Sweat House
• Sweat House Scene
• Indian Dance
• Dance in a Digger Sweat House
• Indian Sweat House near Clear Lake

Depicts a very large lodge supported by a tremendous tree trunk and covered with rafters, which in turn were covered by earth. Light was thrown into the dark interior from three different sources (a square hole at the top; a descending ramp entrance, and a third unidentified source). Within were 90 to 100 figures, some as high as 24 cm. Sketches of the figures were taken from life. In the center two semi-nude figures danced about the huge tree trunk. Behind the observers were a few white men, among them were Parrott and the Baron de Rothschild.

[Started in May 1876 on a commission from Tiburcio Parrott as a gift for the French Banker Baron de Rothschild (unknown as to which one). It was eventually shipped to Paris without being displayed publically in San Francisco.]

Location Unknown

refs:
SF Chronicle 7 Jun 1878 p.1
SF Alta California 12 Jun 1878 p.1
SF Chronicle 17 Jun 1878 p.1
[K p.122-125]

n.d.
oil/canvas
55×92 cm

Landscape with
Reflecting Pond
(Riverside)

BYU Museum of Art
Provo, UT, US

signed : JULES TAVERNIER

Provenance:
Donated: Mrs. Roy Paehlig,
SF Calif
Purchased from:
Mary Hunter Gallery SF.

n.d.
oil/canvas
22×29 cm

Mountains of Santa Cruz

[date: aprox 1875-1880]

Monterey Museum
of Art (2003.73)

Signature LL.

Provenance:
2003 Gift of June and Gerald Mackenzie

about 1878
wood cut after sketch

Store in Monterey
— Business Hour

about 1878
wood cut after sketch

Strolling Through
the Sand

about 1878
wood cut after painting

Chinatown and Fisheries

about 1878
wood cut after sketch

Alvarado Ave;
Principle Street of
Monterey

1878
steel engraving
after sketch

California 1849
(Indian Maiden)

1878
photo

Photo: Jules Tavernier

[This version of the picture came from the Kansas State Historical Society Photo Archives. This photo is probably a copy of the printed picture in the Bohemian Club Annuals referenced in the next column.]

The original is probably still in the Bohemian Club archives.

Bohemian Club(?)
San Francisco, CA, US

pub: F, v1, p191

1878
"jinks" cartoon
pastel/paper

Thanksgiving Day

[The Pilgrim fathers going to church through a wintry forest, with guns on their shoulders, and their women and children clinging to their hands...]

location unknown

pub: F, v1, p190

1878/9
oil

• Monterey Moonlight

• Twilight Wooded Scene at Point Cypress

• Dark-Green Wood Interior

[These may be one, two, or three pictures.]

Location Unknown

ref [K. p104]