Second part of this gallery
20th Century European Art
20th Century Overview
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before World War I |
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born: Grodno, Belarus; 10 May 1866
died: Paris, France; 2 December 1924
Costume Design for The next meeting of the 'committee' took place a week later. Diaghilev opened the discussion by saying that the ballet, Egyptian Nights, about which we had not had the time to go into details on at the last occasion, was to be called Cleopatra. The overture by Arensky must be dropped and replaced by an overture to the opera Orestia by Taneev, while Cleopatra's entrance must be set to music from the opera Mlada by Rimsky-Korsakov. What was needed for the Bacchanale was some music by Glazounov that had already been successfully used by Fokine. Finally, he wanted Fokine to compose a grand finale with music by Moussorgsky from the opera Khovanshchina. He paused here for a moment, looking at our astonished faces, then smiled and continued: Then the end of the ballet is banal. It must be changed. S. Grigoriev |
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Costume Design for Ballets Russes The Firebird 1910 Music by Stravinsky.
Choreography by Michel Fokine. |
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Costume Design for Ballets Russes Narcisse 1911 Music by Tcherepnin. Choreography by Michel Fokine. |
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Costume Design for La Peri 1911 Music by Paul Dukas |
Costume Design for
Ballets Russes Le Dieu Bleu 1911 Story by Jean Cocteau and Frederigo de Madrazo Music by Reynaldo Hahn. Choreography by Michel Fokine. |
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Costume Design for Ballets Russes Daphnis et Chloe 1912 Music by Maurice Ravel Choreography by Michel Fokine. |
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Costume Design for Ida Rubenstein's Ballet Troupe Helen de Sparta 1912 |
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Costume Design for Ballets Russes |
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Costume Design for Ballets Russes La Legend de Joseph Potiphar 1914 Music by Richard Strauss Choreography by Michel Fokine. |
Costume Design for Ballets Russes The Sleeping Beauty 1921 Music by Tchaikovsky. Choreography by Petipa. |
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Costume Design for Le Sultan Samercand 1922 |
2003-09-27