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Archaic Greek Art
Classic Greek Art

Introduction to Greek Art

 Floor E / Ancient Art / Greek

 
Greek Art
Late Archaic

600 to 510 BC

 

 

 

Late Archaic Period (610 to 510 BC)

While Sparta is extending its hegemony over the entire Peloponnese (Argos alone retains its autonomy), socioeconomic conflicts between the oligarchies and the productive classes, who demand a greater say in politics, lead to attempted reforms of the kind instituted by Solon at Athens. The failure of these initiatives results in an increased number of tyrannies that sweep away the dominating aristocracies in cities like Athens, Megara, Samos, Naxos, and Miletus. The old established colonies become more and more autonomous, found colonies of their own, and fight for regional hegemony. Athens becomes the leading economic center under the tyranny of the Pisistratids, who are eventually banished. In the mid-6th century BC the Persians extend their Eastern empire and threaten the poleis of lonia.

 

Late Archaic Period Events
594 – 591  
Law code of Solon in Athens
561 – 527  
Three phases of tyranny under Pisistratus in Athens
548  
Fire at the sanctuary of Apollo at Delphi
546 – 522  
Polycrates tyrant of Samos
559 – 513  
Persian conquest of Near East
514 – 510  
Expulsion of the Pisistratids from Athens


Art

 

 

Antenor: Kore from the Athenian Acropolis

Antenor:
Kore
from the
Athenian Acropolis

about 530 BC

Greek Archaic: [sculpture] Peplos Kore

Peplos Kore
about 530 BC
Acropolis Museum
Athens, Greece

Greek Archaic: [sculpture] Peplos Kore (modern reconstruction)

Peplos Kore Reconstruction
about 530 BC
Museum of Classical Archeology
Cambridge, England

Greek Late Archaid: [sculpture] Kouros from Attica

Kouros
from Attica
about 525 BC

Greek Late Archaic: [artifact] Herm (stone road/boundary marker) from Syphnos

Herm
from Syphnos

about 520 BC

Greek Late Archaic: [sculpture] Kouros from Melos

Kouros
from Melos
about 540 BC
Archeological Museum
Athens, Grece

Greek Late Archaic: [ceramics] Kylix with Oedipus and the Sphinx

Kylix with Oedipus
and the Sphinx

about 600 BC

 

Epiktetos: [ceramics] Red Figured Plate with Boy Riding a Cock

Epiktetos:
Red Figured Plate
with Boy Riding a Cock

about 525 BC

Euphronios: [ceramics] Urn with Sleep and Death Carrying Sarpedon

Euphronios:
Urn with Sleep and Death Carrying Sarpedon
about 515 BC

 

 

 

Exekias:

Exekias: [ceramics] Amphora with Ajax and Achilles Playing Dice befoe Troy

Amphora with
Ajax and Achilles
Playing Dice before Troy
from Attica
about 535 BC
Vatican Museum
Rome, Italy

Exekias: [ceramics] Kylix with Dionsos


Kylix with Dionysos
about 530 BC
Antikensammlung
Munich, Germany

Exekias: [ceramics] Ajax preparing to comit suicide
Amphora with
Ajax preparing to comit suicide
from Attica
about 535 BC
Museé du Chateau
Boulogne-sur-Mer, France

 

 

Greek Late Archaic: [ceramics] Urn from Attica

Urn from Attica
about 500 BC

 

Greek-Late Archaic: [sculpture] [Roman copy] Tyrannicides


Tyrannicides
[Roman copy made after
a bronze by Kritios and Nesiotes about 477 BC;
that bronze was made after another made by
Antenor about 510 BC]
Museo Archeologico Nazionale
Naples, Italy

 

The subject of this picture is two gay lovers Aristogeiton (left) and Harmodius (right). Both died in 514 BC after asasinating Hipparchus, who with his brother Hippias presided over a tyranny in Athens.

If Thucydides is to be believed Harmodius and Aristogeiton were upset more by Hipparchus' interest in Harmodius and insults that he had made about Harmodius' sister. At the Panathenaic Festival they drew swords and killed Hipparchus. Harmodius was killed in the scuffle; Aristogeiton escaped but was caught and tortured to death by Hippias.

This did not end the tyranny. Hippias retained power for four more years and was only driven out by collection of Athenian exiles in conjunction with the Spartan army. The statues were sculpted by Antenor and erected in the Agora in 510 or 511 BC.

They are the first known Greek statues that were designed as portraits. Athenian law prohibited statues of the living, no matter how well deserved; an idea that the later Romans might have used to great advantage.

 

 

Continue with Classic Greek Art

Archaic Greek Art
Classic Greek Art
Introduction to Greek Art

 

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2003-02-27